Text Overflow: It's just a flesh wound
[Continued from: here]
[Raylan took advantage of having several hours to bring his hotel room back into something resembling tidiness, as well as taking a shower and grabbing a nap - Sleep wasn't something anyone got a lot of around Malcolm Whitly, but he'd long learned how to live and work on smaller amounts of sleep.
Dressed but with his button up open and no shoes on his feet, Raylan answered the door with a pull of a smile.] Managed to make it one piece I see. C'mon in. [ He shut the door behind him as he continued.] Flight okay?
[Raylan took advantage of having several hours to bring his hotel room back into something resembling tidiness, as well as taking a shower and grabbing a nap - Sleep wasn't something anyone got a lot of around Malcolm Whitly, but he'd long learned how to live and work on smaller amounts of sleep.
Dressed but with his button up open and no shoes on his feet, Raylan answered the door with a pull of a smile.] Managed to make it one piece I see. C'mon in. [ He shut the door behind him as he continued.] Flight okay?

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I'll admit I've already told you more than I have most people but I blame you. You're the most open book I've seen. You.. aren't ashamed or shy about what you've suffered, due to most people in New York knowing. Or how you feel. I imagine it's quite nice.
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[He paused and looked at Raylan, a little confused.]
You're not usually like that?
[Mostly rhetorical. Something to chew on.]
I'm actually not ashamed or shy about it anymore, after years of therapy and learning to live with myself and... sometimes I still slip. [He made a sort of 'point of order' gesture.] I could have told you about the night terrors before you had to tackle me to safety in the middle of the night. I knew it would happen. I hoped I could keep it...contained. I did not. I told you after, because you caught me.
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Point bein', you told me. You coulda lied, you could have not elaborated.. [Raylan glanced over at him as he drove.] You chose to. Now I don't know if that's because of my charm or your need to be understood, which I get, that's natural, but we coulda talked about.. crops or the mines or the history of the place...
[ They hadn't. ]
Your job revolves so much around and in it, feelings. Works on paper. Works in high stress situations. Doesn't work so well on paper signings or dealin' with Boyd's bullshit.
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You know how, every time we talked about me coming here or... or anyone visiting here, really, you emphasized the prominence of the gun culture? It seemed like it was just... a regional hobby, in its way. But it's not. If people here pretend they don't have feelings - even to themselves - then how can they deal with them? I'll tell you how: they shoot some people. [A beat.] ...Or throw rocks at them, apparently. Gun violence is toxic masculinity's gift to the world.
[He glanced over.] Because everything is about feelings, whether we like it or not. A witness might not remember where or when or how something happened, but they'll remember how they felt. That being said, it's hard for anyone to talk about it. It's hard to let ourselves be vulnerable. To put our real selves out there. But when it goes well, it's always rewarding. [Another beat.] Though when it goes badly it's devastating, which is why it's so scary....
[He paused.]
I'm rambling. Anyway. [He glanced at his hands and then at Raylan.] Thank you for sharing it with me. I'm really glad to know you.
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Having already gathered the Malcolm was also more than a little touch starved and not wanting to brush the thanks off for his seeming inability to say 'You're Welcome', Raylan reached over and turned over his hand.
.. Wanna hold it?]
You gotta keep in mind the lengths people go to not feel them. It's not pretending, it's ignoring it. Running away from themselves and the truth of what they are. [Not an issue with Raylan, so much.]. We find one or two people that we trust to talk about it and to hell with everyone else.
There aren't a lotta rewards out here, even when things go well. There's always a backdraft of some kind. A catch. [Add that onto the list of reasons he wanted to leave.]
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There was a level inside him where he was afraid he'd ruined it, because he always ruined things and almost always the same way.]
What sort of a catch?
[He was sincerely interested. The behaviour he'd seen out here so far both conformed to what he knew about human behaviour and was informed by stimuli he really had absolutely no experience with.]
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Family or bullshit or assholes. People aren't allowed to just be happy, is what I mean. Poverty, bitterness, general abuse if you don't learn the social language. There's places out here that GPS hasn't even mapped.. [There was no wonder as to why he'd been reassigned here.]
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I can see why you don't want to stay here. I mean, I could understand why you might not want to stay here, but now I really see why you don't want to stay here.
[He looked over at Raylan.]
You're not going to have more problems with them now?
[More danger, specifically. Because of what Malcolm did.]
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No more than I already had. I can handle Boyd. It'll be fine.
You didn't ruin anything. Just gave him a little more fodder to chew on. He'll calm down..
As long as he doesn't see you again.
[ AKA they weren't going to be doing much leaving from Arlo's til they went back to Lexington.]
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So... axe throwing?
[Something to be done in the privacy of Arlo's. If Raylan was confident Boyd's thugs wouldn't show up there, Malcolm wouldn't worry about it.]
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Fifteen minutes later, they were pulling back up and Raylan was sliding out.]
How did you get into Axe throwing? [Of all things.]
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Okay. So. [He glanced at Raylan, uncertain how he'd receive this information.] I had to stop taking ballet when my father was arrested. Some of the parents... weren't comfortable with me being there. It wasn't long before I was in a place where I probably would have had to drop it anyway, but... [He waved it off with both hands.] Anyway. After a while, my mother wanted me to get out of the house and... do something. We had to find something that wasn't done in groups. I saw an ad for axe throwing lessons and I think she would have let me try anything at that point if it meant I showed a genuine interest.
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Any of that ballet stuff stick around?
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Like... terminology? Tights? ....I'm still pretty flexible. I keep it up with all the yoga.
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We'll have to test that one day.
[He couldn't stop the curl of his smile then, but he could cover it a little better as he led them into the house.]
So what should we be throwing axes at?
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A block of wood is a pretty good target. It has to be sturdy; the axe will hit it hard. It's a problem if it can knock it over. And you want to make sure there's nothing behind it that can get damaged by being hit with an axe, but you have lots of room out here.
[Back in their lair, Malcolm was regaining his perky demeanour and eagerness.]
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I think we've got some sizable logs that can be hauled near a tree. We've got a few that have grown out into giant Y's.. Or we say to hell with the log and just use the trees..
[A beat passed and Raylan let his levity slip a bit.] You okay? [Now that they were somewhere safe where Malcolm could be himself without fear of getting punched in the face.]
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I'm all right. [It was more a sigh than a sentence.] I just... have done that before. Gone too far. I never seem to be able to... to gauge it.
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It's harder to gauge when you don't have real context. If there's a next time, you'll do better.
[He hoped there wasn't a next time, not down here, anyway.]
It's okay, [He reiterated with a soft squeeze of a hug. ]
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Nothing in his face suggested he'd kind of rather Malcolm leave now.
There was some sort of gratitude in his features as he nodded acceptance and then he answered Raylan's previous question without moving from his grasp.]
We can just throw at those trees. They'll be nice and sturdy. What kind of axes do you have?
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C'mon, I'll show ya.
[Slipping out of Malcolm's arms, Raylan stepped forward, forced to adjust his hat with a soft clearing of his throat. Kissing Malcolm was a very dangerous distraction.
As he went, he pulled off his overshirt and pushed up the sleeves to his collarless cotton, undershirt and headed outside.]
There's one there - [ He pointed to a long handled axe that was leaned against the house,] and I think we've got a shorter handled one behind the camper, hold on.
[It was only a minute or so before Raylan walked back into view, spinning the axe in his hand with a sense of having done it a few times before. He liked the way it felt in his hand.]
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He outright grinned at Raylan's handling of the axe.] You're going to be a natural.
[As they headed out onto the land again, Malcolm carried the big axe. He looked over at Raylan as they walked.] What do you use the camper for?
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[There was something about the way that Malcolm walked with the axe that made him look.. dangerous. Filled with glorious purpose. It should probably worry Raylan, but it didn't.]
Helen put it there for Arlo. Gives him someplace to be when he's under house arrest even though it's outside his tether range. Gave him. I think he enjoyed annoying and wasting taxpayer dollars and cop time.
You ever seen American Psycho?
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[At his question, Malcolm raised his eyebrows.]
It's a movie, right? No, I haven't seen it. I tend to stay away from media with things like 'crazy' or 'psycho' or 'nightmare' in the titles.
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The idea of using the Marshal's star as a throwing star had occurred to him before but it had been so long ago that the reminder and Malcolm's echo of it made Raylan laugh.]
We'll see, [He said with a squinting grin as he used his axe head to point at an outcropping of trees, turning them in that direction.]
I won't ask you to, but whenever you hold an axe just.. refrain from any comments about Huey Lewis and the News.
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