Malcolm x Raylan: Cowboy Surprise

Art was suspicious right off the bat when Raylan took a week off with the express note that his phone would be Out Of Order til the next Monday, but the Chief Marshal wasn't going to look gift horses in the mouth. Not when it suggested he'd have a few days of peace, until Raylan caved to turning his phone back on again. Still, he watched the younger Marshal walk out of the office and promised himself to check into the state of Harlan within 3 days to make sure that the place wasn't on fire. The smoke would reach him before he called, he was sure.
But Art didn't have much to worry about - Raylan had no plans on staying in the state for his vacation, beyond one day spent closing up Arlo's and securing it the best way he could before getting on a plane to New York City. He wanted to surprise Malcolm - it'd been near two months since they'd last seen each other and frankly, Raylan was tired of missing him. They'd called and texted, stayed in a fairly consistent, if odd houred, touch but it wasn't the same.
Once he landed, Raylan rented a car and navigated his way towards Malcolm's apartment, stopping to grab a bouquet of flowers. It was.. Extra, but Raylan didn't want to show up empty handed, just in case. Thirty minutes later, Malcolm's door buzzer was being hit, like Raylan was here to deliver something. Well, he was, but that was half the fun.

no subject
To be in love with.
It rang in his mind like a church bell and he felt both incredibly grounded and like he was about to faint.
"I..." He swallowed. Usually it took a lot more touching to get his brain to short out like that. "Should I get a taxi? I'll get a taxi."
Stepping towards the curb would help with that, but he was rooted to the spot, his eyes on Raylan's face.
no subject
Raylan's face curled in soft amusement. "We already done walking?"
no subject
"I don't want to be out here anymore. I want to get home."
Where he could properly appreciate what Raylan just said.
"Had enough of the rest of the world," he admitted with a wry smile.
no subject
He opened the door and gestured for Malcolm to slid in before doing the same.
no subject
"My mother thinks the basement causes the hallucinations because I hallucinate about things from the basement," he explained.
no subject
"Is she right?" He would be the best to answer.
no subject
"It's stress. The basement is where the trauma happened, but stress messes up my brain, not going there."
no subject
"I can't help reduce stress, but I can help mitigate its effects. Even if that's giving you a wall of shoulder to hide behind... It's obvious that she loves you. Ainsley too. It would make sense, to everyone, that going down there might.. refresh your memories. Traumatize you all over again. Can't say I agree with how they deal with the aftermath, but they're doing their best."
no subject
"I know. That's why I still go." He looked at Raylan. "That was a lot, though. About... my problems. We'll do something less heavy tomorrow. I want you to enjoy this trip."
no subject
"I'm here." He glanced at the taxi driver with a deep inhale before choosing his words. "I am enjoying it so far. You could pass as Southern with your hospitality."
He didn't realize just how grateful he would be when the taxi pulled up outside of Malcolm's and he pulled a few bills out of his wallet to hand to the driver before sliding out, holding the door open long enough for Malcolm to join him on the sidewalk before closing it.
"Let's finish this talk upstairs." Where they could be themselves, unapologetically.
no subject
THESE TWO. FUCK. /ded
When it broke, he spoke first, faces kept close in their intimacy. "I want to be that safe space for you, Malcolm. I like that I am. You need one." And he was happy to provide. He was.. good at this kind of security. The kind that had nothing to do with bullets or mafia or petty crime. The kind that he could control.
I KNOW I CAN'T THEM
"I love you," he whispered shakily.
no subject
Raylan smiled, a faint curl to all his features that left him with only soft edges. "It's okay. I love you too." The smile pulled. "But I think you already knew that."
And if he didn't, he did now. Raylan kissed him again, breathing him in as his hands spread across and up Malcolm's back. If he could help beat back Malcolm's darkness by just being there, by just wanting to be with Malcolm and love him and find some kind of workable normal for them.. Well shit. Miami was definitely going to happen.
no subject
Malcolm didn't know what to do with that kind of unconditional love except cling to it and offer himself as unconditionally, to give Raylan the same safe place.
As the kiss broke, he tilted his forehead against Raylan's and took deep breath. It both felt incredibly fast - it had been months, but also so little of it had been spent together - and at the same time it felt like he'd been holding his breath for too long already.
"I'd hoped that," he murmured, his hand sliding up Raylan's neck to thread his fingers through his hair. "Seemed too good to be true," he admitted with a huff of a laugh.
no subject
"Couldn't tell ya when it happened," he replied quietly, tilting his head a little into Malcolm's fingers. "And I didn't mean to say it so soon." But clearly, these were extenuating circumstances. "But we've all got problems. Like you said, I'm not here for easy."
no subject
He'd have probably started off by choosing a woman, for one thing. Malcolm's gender was still going to be an issue to him being in Raylan's life, but it was one he was prepared to adapt to or deal with as required.
"Do you want a drink?" he asked, though not making a move to untangle himself just yet, his fingers still idly stroking Raylan's hair. "You've been a saint in putting up with my family."
no subject
He stole another kiss, this one more chaste and gentle. "A drink sounds great. And it was better than last time. I think your sister approves of me." Not in any inappropriate way, but Raylan didn't feel like Ainsley was going to proverbially try to string him up for existing near her brother.
"And seeing you guys all together at home.. clears some things up." His face curled in amusement, hands finally loosening a little on Malcolm so that he could break away if he wanted. "So Ballet, huh?"
no subject
"I've been telling people my mother made me take it since... I was still taking it," he admitted. He took a decanter of scotch down from another cupboard and glanced at Raylan over his shoulder. "Kids at school found out I was doing it and..." He shrugged. "They started making fun of me. But they all had overbearing rich parents who made them do things they hated, so I just... said she made me take it."
He poured two fingers of scotch into a glass and brought it to the island, pushing it towards Raylan before turning to pour scotch into the other one. "But I loved it," he confessed. "I loved how it looked and how it felt. Then, one day, I came home from school with scrapes on both hands and both knees and my father noticed at dinner, even though I tried to hide it under the table. He took me down to his office afterwards and asked me what happened. So I told him about the kids making fun of me for being in ballet and pushing me around in the yard. He told me about the degree of athleticism required for it and how it put professional athletes in a lot of sports to shame and that kids don't know how to process emotions like jealousy, so it comes out as aggression." He took a breath and turned around with his own glass. "And then my father got arrested for torturing twenty-three people to death in that basement and.... " He shrugged and looked down into his glass. "Well. The kids at school forgot about the ballet. I was 'Psycho' after that." He took a large swallow of scotch and then looked at Raylan. "I stopped taking it around then. My presence in the class made the other students' parents uncomfortable. I still like watching ballet, but... I don't tell anyone."
no subject
"I've never seen ballet." It seemed like a better place to start. "Just pictures. I imagine it takes a hellva lotta discipline to get on up on their toes. You ever thought about taking classes again?"
Ladies went to pilates and spin class, why couldn't Malcolm take some ballet on the side?
no subject
"I'm too old now. I'm not flexible enough anymore."
As flexible as he was.
"Maybe we can go to one some time, though?" he suggested, looking up carefully, fidgeting with his glass. It'd have been so great to go to one with someone. But maybe Raylan wasn't interested enough to sit through three hours of it.
no subject
Raylan shrugged and nodded thoughtfully, pulling a soft smile. "Won't say no to a first time show. Can't promise anything after that-" Though, if he didn't hate it completely, Raylan was sure he could withstand it for Malcolm's sake.
"After all, you're going to be sitting through a baseball game."
no subject
"The tickets! I have to pick up the tickets at some point. I wonder when the game is..." he mused. Well. That was a problem for tomorrow Malcolm and he set it aside to rest his head on Raylan's shoulder, comfortably breathing in the scent of his skin at his neck.
"So, apart from ballet, what else did that dinner clear up?" he asked curiously.
no subject
Once he was done talking, Raylan propped the weight of his head on Malcolm's and humming again thoughtfully.
"You know how you said you find out about how a person was made by their home? Ain't just that basement that defines you. And you're not the only damaged person in that house. That basement really is like a horror show. Even with nothin' in it. Couldn't imagine living above that, even in spite. Not without... fillin' it with something else."
no subject
"He ruined everything he touched," Malcolm said softly. "I know I'm not the only one. My mother wants what's best for us. I know she does. I only object to being told that the only things I'm good at and make me happy aren't it."
His grip around Raylan tightened a little.
"But she liked you. She's plenty blunt when she doesn't like someone and when she doesn't approve of my choices. You heard her call my job a 'macabre hobby'."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
SOFT FACES
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
I say we start the next morning (once it's morning proper) in a new thread under the header